I began to draw again seriously this year, mainly as a way of staying quiet
and attentive to the present moment. The activity of drawing with its silence
and acute observation at first seemed to be a meditative thing to do rather
than with the aim of presenting this work along with my ceramic expressions.
When I was frequently exhorted to keep on and to present this work, I began
so tentatively, knowing that my ‘real work’ is another sort of painting
and constitutes another way of making my observations visible. With clay I work
with alchemy, with ‘paint’, with fluid speed and with movement.
Drawing on paper made me feel that I was presenting the fact that if I was wanting
to simply draw, I would have been doing this all this time… but I realized
that perhaps it was important to draw attention to the fact that the basis of
my work with porcelain, was based on acute observation.
(It felt like a step backwards in many ways for the sake of communicating something.)
Having said that, drawing is a joy because what I put on the paper is there
and it stays there. I can do it away from my wheel and kiln… so I can
travel a bit more and work when I go to beautiful places.
Of course I do find that I am constantly scratching at the paper and wanting
to layer the surface … and often put the paper against the light so that
I can see the layers and the translucency! – but all in all giving time
to drawing and painting again has been one of the gifts of 2009.
Drawing
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