Katherine
Glenday
you
are here:
1980
- 2006
2006
In
2006 my work progressed into new territory. I worked in collaboration with
other artists, dancers and musicians resulting in new explorations of movement
and sound in my own work. I curated an exhibition at the Irma Stern Museum
in Cape Town in September 2006 which had various artists and musicians
working together.
The Sound
Still Exhibition included a visual exhibition and performances
of dance and music, expanding the connections between sound and light and
movement.
2005
I have always picked up flora and fauna and brought beautiful
things to my studio and having surrounded myself with these things, (which often
go by unnoticed) a subtle osmosis seems to take place. It is my 'conversation'
with the natural realm.
2004
The content of my work has always been entirely
to do with my own inner explorations and over the years I have moved away
from surface and into an integration
of surface with form
2001
- 2003
By 2001 the content was not so much 'painted' on the
surfaces - but the whole vessel began to bear the marks of my explorations.
I worked with colour in the vessel walls and the element of spinning
transformed my gestures with clay and oxides into something new. I still
explored psychological themes such the continuum between the genders, and
other social considerations - but my work increasingly has become occupied
with the natural realm and how we inhabit our bodies and the earth.
1980's
- 1990's
My earlier work was whimsical
and illustrative in nature - often humorous, belying the serious nature of
the things I was exploring.
In the nineties I started working consciously with symbols from my dreams
and with symbolic and archetypal imagery.
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